Kabir — Songs
c. 1440–1518 CE · Medieval India (15th century CE) · Varanasi (Kashi) and Maghar, North India
I — O Servant, Where Dost Thou Seek Me?
II — Do Not Go to the Garden of Flowers
III — Between the Conscious and the Unconscious
IV — The River and Its Waves
V — I Have Been Thinking of the Difference Between Water and the Waves
VI — The Moon Shines in My Body
VII — O How May I Ever Express That Secret Word?
VIII — When the Bride Is One With Her Lover
IX — I Do Not Know What Manner of God Is Mine
X — The Lake of My Heart
notes
Kabir (c. 1440–1518) was a North Indian mystic poet who has been claimed as a spiritual ancestor by Hindus, Muslims, and Sikhs alike, and by neither more than by his own followers, the Kabir Panth. Born into a Muslim family of weavers in Varanasi (Kashi), the most sacred city of Hinduism, he composed songs in the vernacular Hindi of his day — songs that mocked the pretensions of both Brahmanical Hinduism and orthodox Islam and pointed toward a formless divine reality accessible only in the interior of the human heart. Kabir was largely illiterate. His works were compiled by his followers and by later editors — most famously in the Bijak, the Adi Granth of the Sikhs (where 500 of his verses are preserved), and various collections. Because so many later poets composed "in Kabir's voice," the boundaries of his authentic corpus are impossible to fix; what is quoted as "Kabir" is a tradition as much as an individual body of work. Legend holds that on Kabir's death, his Hindu and Muslim followers quarrelled — one side wanting to cremate him, the other to bury him. When they raised the sheet from his body, they found only a heap of flowers, which they divided between them. The 1915 translation by Rabindranath Tagore (from Bengali versions collected by Kshiti Mohan Sen) is the most influential English rendering, and made Kabir known to the modern West. Translation: Rabindranath Tagore, assisted by Evelyn Underhill, "One Hundred Poems of Kabir," London: Macmillan, 1915. Public domain.
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