The Exaltation of Inanna (Nin-me-šara)
c. 2300 BCE · Akkadian Empire · Ur
transliteration
nin me šar-ra ub-da zal-le
Composed by Enheduanna, high priestess of the moon god Nanna at Ur and daughter of Sargon of Akkad, this hymn is the earliest known literary work attributed to a named author. The text opens with a majestic invocation cataloguing the divine powers Inanna holds over all things — from warfare and lament to the descent of royalty and the granting of wisdom. Enheduanna then narrates her personal crisis: she has been driven from her temple by a rebel named Lugal-ane, who has usurped Ur and overturned sacred rites. She appeals to the moon god Nanna, who does not respond. She turns to Inanna directly, reminding the goddess of her powers over heaven and earth. The hymn reaches its emotional climax as Enheduanna declares that she will speak the midnight lament until Inanna restores justice. The text closes with Inanna's triumph: the rebel is defeated, Enheduanna is restored to her rightful place, and the hymn celebrates Inanna's supreme power. The work is both an intensely personal account of displacement and a theological statement of Inanna's sovereignty over all other deities.
notes
Enheduanna's authorship makes this the earliest attributed literary composition in history, predating Homer by fifteen centuries. Her works were copied and studied in Mesopotamian scribal schools for centuries after her death. The Exaltation of Inanna is one of three major hymns attributed to her, alongside the Hymn to Inanna (Inanna B) and the Temple Hymns.
currently held: University of Pennsylvania Museum
related texts
Inanna, Queen of Heaven and goddess of love and war, decides to descend to the Great Below — the underworld ruled by her sister Ereshkigal. Before departing, she instructs her vizier Ninshubur to appeal to the gods on her behalf if she does not return in three days. At each of the seven gates of the…