other · literary

Divan of Hafiz — Selected Ghazals

c. 1315–1390 CE · Medieval Persia (14th century CE) · Shiraz, Persia

Ghazal I — Wine and the Beloved

1Ho! O Saki, pass around and offer the bowl:
2For love appeared easy at first, but difficulties arose.
3By reason of the perfume that at last the breeze may shed from that fore-lock,
4What blood has fallen in hearts, by reason of that musky curl!
5Colour with wine the prayer-mat, if the Magian Elder tell thee;
6For the traveller is not ignorant of the way and usage of the halting-places.
7What safety and pleasure for me in the halting-place of the Beloved,
8When ever and anon the caravan-bell gives forth the cry:
9"Bind ye on your loads for departure"!
10Dark night, and the fear of the wave, and the whirlpool so fearful —
11The light-burdened ones of the shore, how know they our state?

Ghazal II — The Path of Love

12The gain of the two worlds is this — one word of love;
13The delight of the whole world lies in a single moment of true insight.
14For seventy-two years I have been companion of the intelligent;
15But this word I have not heard from anyone save my Beloved.
16I have never seen a nature more soul-cherishing than that of true poetry;
17Even though a person be well-versed in the sciences of many books.
18Whoever tramples underfoot the world's greatness like Hafiz,
19Both worlds shall stand before his gate.

Ghazal III — Rise, and Behold

20Come, so that we may cast rose-water into the wine-vessel of joy;
21And in the wine-shop cast dust upon the tower of Grief.
22Come, let us cast a snare for the game of that heart-ravishing gazelle;
23Whose flight has escaped the arrow's dart.
24O heart, tarry no more in the enclosure of care;
25Cast a glance at the delightful sports of the plain.
26From the heart's tongue, deliver a hundred blessings on that Person
27Who is content to cast one glance on us.
28What is the difference between the tavern and the assembly of the good?
29Wherever it be, only cast a glance upon the cup.

Ghazal IV — The Rose and the Nightingale

30The rose is spreading her mantle in the mead;
31The nightingale is singing his rich melodies in the garden.
32Rise up, my heart, and cast the veil of vanity from thy face,
33For today is the day of joy, and the season of tulips.
34What is done, is done. Go — bring forth the wine.
35It is not for us to grieve over that which comes not back.
36The Sultan of Roses hath sat upon the throne of the garden;
37The zephyr goeth as his herald into every quarter.
38The sound of the harp of Zohreh reacheth even unto the moon;
39Give ear, that the melody may reach thee.

Ghazal V — The Beloved's Face

40The heart is the sanctuary of God's own manifestation;
41Then wherefore look ye forth to find Him in outward things?
42The gnostic is a mirror wherein God beholds His own face;
43Then look thou also into that mirror, and behold Him.
44I saw last night in a dream that the moon had come down
45From heaven, and stood at the door of my beloved.
46Whatever remains of my life will be for Thee;
47Whatever I have gained shall be sacrificed for Thee.
48My work is not to speak of self, my mission is to sing:
49"Thou art the King, Thou art the King."

Ghazal VI — The Old Tavern-Keeper

50Come, tell me what is the sum of the wisdom of this world.
51It is a couch, a cup of wine, and a beloved friend.
52All the world's wisdom is this: hold fast a rose,
53And, holding it, drink deep and lie down at ease.
54Fair as the rose, thou art. But the rose lasts a week.
55Thou canst last, if wine and love be thine, forever.
56Everything is passing, save the face of God.
57Turn towards that face — nothing else abideth.
58Hafiz, cease from lamentation. Take the wine-cup.
59The kingdom of the world is nothing.
60The kingdom of Love is all.

notes

Khwaja Shams-ud-Din Muhammad Hafez-e Shirazi (c. 1315–1390 CE), universally known as Hafiz ("one who has memorised the Quran"), is regarded by Persians as their greatest lyric poet. His Divan (collected works) consists of approximately 500 ghazals — short lyric poems, typically 5-15 couplets long, on themes of love, wine, the beloved, spiritual longing, and the tension between religious hypocrisy and the ecstatic path. Hafiz's poetry operates on multiple levels simultaneously: the beloved may be human or divine, the wine may be literal or the intoxication of mystical union, the tavern may be a physical place or the meeting-house of the true seekers. The Persian tradition of literary interpretation refuses to force a single reading; the ambiguity is itself the poetry. Goethe, whose West-östlicher Divan (1819) was his tribute to Hafiz, wrote: "Hafiz has no peer." Emerson called him "a poet for poets." Ralph Waldo Emerson translated a number of Hafiz's poems into English in the 19th century. His tomb in Shiraz remains one of the most visited sites in Iran. It is traditional in Persian culture to open the Divan at random and read the first verse as a form of divination (fal-i-Hafiz). Translation: composed from H. Bicknell, "Háfiz of Shíráz: Selections from His Poems," London: Trübner, 1875, and H. Wilberforce Clarke, "The Divan-i-Hafiz," Calcutta: Government of India Central Printing Office, 1891. Both public domain.

IslamicWineMysticalPersianSufiPoetry

related texts

Song of Songs (Song of Solomon)hebrew · c. 950–450 BCE

## Chapter 1 — The Opening [1] The song of songs, which is Solomon's. [2] Let him kiss me with the kisses of his mouth: [3] For thy love is better than wine. [4] Because of the savour of thy good ointments [5] Thy name is as ointment poured forth; [6] Therefore do the virgins love thee. [7] Draw m…

## Book I — The Song of the Reed [1] Hearken to this Reed forlorn, [2] Breathing, ever since it was torn [3] From its rushy bed, a strain [4] Of impassioned love and pain. [5] "The secret of my song, though near, [6] None can see and none can hear. [7] Oh, for a friend to know the sign [8] And mi…

Rubaiyat of Omar Khayyamother · c. 1048–1131 CE (Omar Khayyam); FitzGerald translation 1859

## The Rubaiyat — FitzGerald's First Edition (1859) [1] Wake! For the Sun, who scattered into flight [2] The Stars before him from the Field of Night, [3] Drives Night along with them from Heav'n, and strikes [4] The Sultan's Turret with a Shaft of Light. [5] Before the phantom of False morning d…