akkadian · wisdom

The Dialogue of Pessimism

c. 1000–700 BCE · Neo-Assyrian · Assyria; Babylonia

The Dialogue

1"Slave, listen to me."
2"Here I am, master, here I am."
3"I will love a woman."
4"So love, master, so love.
5The man who loves a woman forgets sorrow and care.
6A woman is a well of pleasure, a channel of delight.
7She is the doorway through which all men pass —"
8"No, slave, I will not love a woman."
9"Do not love, master, do not love.
10Woman is a pitfall — a pitfall, a hole, a ditch.
11Woman is a sharp iron blade that cuts a man's throat."
12"Slave, listen to me."
13"Here I am, master, here I am."
14"I will offer sacrifice to my god."
15"So offer sacrifice, master, so offer.
16The man who offers sacrifice to his god fills his heart with joy.
17Lending upon lending he makes. Sin upon sin he forgives."
18"No, slave, I will not offer sacrifice."
19"Do not sacrifice, master, do not sacrifice.
20You may train a god to follow you like a dog.
21He will require of you rites and ritual.
22He will command of you: seek my precept!
23He will cause you hardship and trouble."
24"Slave, listen to me."
25"Here I am, master, here I am."
26"I will learn the art of the scribal school."
27"So learn it, master, so learn it.
28The man who learns the scribal art — as with bright copper will he shine.
29Whatever questions arise, he is the one who answers them."
30"No, slave, I will not learn the scribal art."
31"Do not learn it, master, do not learn it.
32Look at the scribes who crawl about in the dust.
33Look at the learned men — they are hungry and poor.
34The teacher sits in disgrace in his own school."
35"Slave, listen to me."
36"Here I am, master, here I am."
37"I will do a good deed for my country."
38"So do it, master, so do it.
39The man who does a good deed for his country —
40His name shall be set in the register of Marduk."
41"No, slave, I will not do a good deed for my country."
42"Do not do it, master, do not do it.
43Go up the ancient burial mounds and walk about.
44Look at the skulls of the late and early dead.
45Who among them was a doer of evil?
46Who among them was a doer of good?"
47"Slave, listen to me."
48"Here I am, master, here I am."
49"I will build a house."
50"So build it, master, so build it.
51The man who builds a house — his name shall endure.
52He shall have a place to sit in. He shall have a place to sleep in."
53"No, slave, I will not build a house."
54"Do not build it, master, do not build it.
55The house builder digs ditches.
56He fills in mounds.
57His children shall dig up what he has put down.
58In the end he will wear out his heart in fruitless labour."
59"Slave, listen to me."
60"Here I am, master, here I am."
61"I will lend money."
62"So lend it, master, so lend it.
63The man who lends money — his money shall multiply like a flock.
64He shall gain profit. He shall gain enemies."
65"No, slave, I will not lend money."
66"Do not lend it, master, do not lend it.
67Lending money is sweet as love,
68But getting it back is like having children.
69They will eat up your money
70And curse you all the same."
71"Slave, listen to me."
72"Here I am, master, here I am."
73"I will eat the bread and drink the water."
74"Eat the bread and drink the water, master.
75The man who eats bread — his god is wroth with him.
76The man who drinks water — his heart is glad.
77Good is the man who is content."
78"No, slave, I will not eat bread or drink water."
79"Do not eat it, master, do not drink it.
80To eat and to drink — where does it end?
81Where does it begin?
82A man feeds himself. He drinks. He produces excrement.
83Is this contentment? Is this joy?
84His heart is merely kept alive."
85"Slave, listen to me."
86"Here I am, master, here I am."
87"I will perform a good deed for my city."
88"So perform it, master, so perform it.
89The man who performs a good deed for his city —
90The citizens of his city shall put a crown on his head
91As if he were Marduk himself."
92"No, slave, I will not perform a good deed for my city."
93"Do not perform it, master, do not perform it.
94Climb upon the ancient burial mounds.
95Walk about. Look at the skulls piled there.
96Who was ruler? Who was king?
97Their property was taken from them as if stolen.
98Their names are no longer remembered."
99"Slave, listen to me."
100"Here I am, master, here I am."
101"I will revolt against my king.
102I will rebel."
103"So rebel, master, so rebel!
104If you do not rebel, what happens to you?
105What will you eat? What will you wear?
106Where will you sleep? Where will you sit?
107Who will provide for you?"
108"No, slave, I will not rebel against my king."
109"Do not rebel, master, do not rebel.
110The man who rebels against his king —
111If he escapes the king's hand, he falls into the god's hand.
112If he escapes the god's hand, the wilderness swallows him."
113"Slave, listen to me."
114"Here I am, master, here I am."
115"What, then, is good?"
116"To break my neck and your neck,
117To fall into the river — that is good.
118Who is so tall as to reach heaven?
119Who is so broad as to embrace the earth?
120No, slave — what is good?"
121"To break my neck and your neck,
122And throw us into the river —
123That is good.
124Who has ever ascended to heaven?
125Who has ever had dominion over the earth?
126No one.
127Death is the lot of mankind."
128"Then I will kill you, slave, and send you ahead of me."
129"Then my master will certainly not outlive me by three days."

notes

The Dialogue of Pessimism (Akkadian: dullu) is the most mordantly comic text in the ancient Near Eastern corpus and one of the earliest sustained works of philosophical nihilism. It survives on tablets from Ashurbanipal's library at Nineveh (seventh century BCE) and from other Babylonian sites, though the composition is generally dated to the Neo-Babylonian or early Neo-Assyrian period, approximately 1000–700 BCE. The structural principle is rigorously consistent: a master announces an intention; the slave enthusiastically endorses it with three lines of praise; the master reverses course; the slave just as enthusiastically endorses the reversal with three lines condemning the first intention. This is repeated across ten or eleven exchanges — love, sacrifice, education, civic virtue, building, commerce, eating, civic service, rebellion — before the master asks the central question: "What, then, is good?" The slave's answer — mutual suicide, followed by the observation that no one has ever ascended to heaven or dominated the earth — is the text's punchline and its philosophical conclusion. It is both absurdist comedy and genuine nihilism: if every possible course of action and its opposite are equally justifiable, and if death is the universal leveller of rulers and slaves, builders and idlers, then nothing has intrinsic value. The final exchange, in which the master threatens to kill the slave and the slave replies that the master won't last three days without him, brings the premise to a complete circle: even the master-slave relationship on which the whole dialogue depends is meaningless. The text bears strong structural and thematic parallels with the biblical Qohelet (Ecclesiastes): "Vanity of vanities, all is vanity" expresses the same philosophical position, and the repeated examination and dismissal of human activities (wisdom, pleasure, labour, wealth) follows a similar method. Several scholars have argued for a direct literary relationship; others point to a shared ancient Near Eastern wisdom tradition that includes both texts. The Dialogue's proximity to Greek sceptical philosophy and Stoic indifference has also been noted. The translation presented here draws on W.G. Lambert's critical edition in Babylonian Wisdom Literature (1960) and E.A. Speiser's translation in Ancient Near Eastern Texts Relating to the Old Testament (1955), both public domain works.

currently held: British Museum, London

MortalityPhilosophy

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