akkadian · mythology

Descent of Ishtar to the Underworld

c. 1200 BCE (surviving version) · Old Babylonian; Standard Babylonian · Nineveh; Assur

To the land of no return, the land of darkness, Ishtar, the daughter of Sin directed her thought, Directed her thought, Ishtar, the daughter of Sin, To the house of shadows, the dwelling of Irkalla, To the house without exit for him who enters therein, To the road, whence there is no turning, To the house without light for him who enters therein, The place where dust is their nourishment, clay their food. They have no light, in darkness they dwell. Clothed like birds, with wings as garments, Over door and bolt, dust has gathered. Ishtar on arriving at the gate of the land of no return, To the gatekeeper thus addressed herself: "Gatekeeper, ho, open thy gate! Open thy gate that I may enter! If thou openest not the gate to let me enter, I will break the door, I will wrench the lock, I will smash the door-posts, I will force the doors. I will bring up the dead to eat the living. And the dead will outnumber the living." The gatekeeper opened his mouth and spoke, Spoke to the lady Ishtar: "Desist, O lady, do not destroy it. I will go and announce thy name to my queen Ereshkigal." The gatekeeper entered and spoke to Ereshkigal: "Ho! here is thy sister, Ishtar... Hostility of the great powers..." When Ereshkigal heard this, As when one hews down a tamarisk she trembled, As when one cuts a reed, she shook: "What has moved her heart [seat of the intellect] what has stirred her liver [seat of the emotions]? Ho there, does this one wish to dwell with me? To eat clay as food, to drink dust as wine? I weep for the men who have left their wives. I weep for the wives torn from the embrace of their husbands; For the little ones cut off before their time. Go, gatekeeper, open thy gate for her, Deal with her according to the ancient decree." The gatekeeper went and opened his gate to her: Enter, O lady, let Cuthah greet thee. Let the palace of the land of no return rejoice at thy presence! He bade her enter the first gate, which he opened wide, and took the large crown off her head: "Why, O gatekeeper, dost thou remove the large crown off my head?" "Enter, O lady, such are the decrees of Ereshkigal." The second gate he bade her enter, opening it wide, and removed her earrings: "Why, O gatekeeper, dost thou remove my earrings?" "Enter, O lady, for such are the decrees of Ereshkigal." The third gate he bade her enter, opened it wide, and removed her necklace: "Why, O gatekeeper, dost thou remove my necklace?" "Enter, O lady, for such are the decrees of Ereshkigal." The fourth gate he bade her enter, opened it wide, and removed the ornaments of her breast: "Why, O gatekeeper, dost thou remove the ornaments of my breast?" "Enter, O lady, for such are the decrees of Ereshkigal." The fifth gate he bade her enter, opened it wide, and removed the girdle of her body studded with birthstones: "Why, O gatekeeper, dost thou remove the girdle of my body, studded with birth-stones?" "Enter, O lady, for such are the decrees of Ereshkigal." The sixth gate he bade her enter, opened it wide, and removed the spangles off her hands and feet: "Why, O gatekeeper, dost thou remove the spangles off my hands and feet?" "Enter, O lady, for thus are the decrees of Ereshkigal." The seventh gate he bade her enter, opened it wide, and removed her loin-cloth: "Why, O gatekeeper, dost thou remove my loin-cloth?" "Enter, O lady, for such are the decrees of Ereshkigal." Now when Ishtar had gone down into the land of no return, Ereshkigal saw her and was angered at her presence. Ishtar, without reflection, threw herself at her [in a rage]. Ereshkigal opened her mouth and spoke, To Namtar, her messenger, she addressed herself: "Go Namtar, imprison her in my palace. Send against her sixty diseases, to punish Ishtar. Eye-disease against her eyes, Disease of the side against her side, Foot-disease against her foot, Heart-disease against her heart, Head-disease against her head, Against her whole being, against her entire body." After the lady Ishtar had gone down into the land of no return, The bull did not mount the cow, the ass approached not the she-ass, To the maid in the street, no man drew near, The man slept in his apartment, The maid slept by herself. [The second half of the poem, the reverse of the tablet, continues as follows:] The countenance of Papsukal, the messenger of the great gods, fell, his face was troubled. In mourning garb he was clothed, in soiled garments clad. Shamash [the sun-god] went to Sin [the moon-god], his father, weeping, In the presence of Ea, the King, he went with flowing tears. "Ishtar has descended into the earth and has not come up. The bull does not mount the cow, the ass does not approach the she-ass. The man does not approach the maid in the street, The man sleeps in his apartment, The maid sleeps by herself." Ea, in the wisdom of his heart, formed a being, He formed Asu-shu-namir the eunuch. "Go, Asu-shu-namir, to the land of no return direct thy face! The seven gates of the land without return be opened before thee, May Ereshkigal at sight of thee rejoice! After her heart has been assuaged, her liver quieted, Invoke against her the name of the great gods, Raise thy head, direct thy attention to the khalziku skin. 'Come, lady, let them give me the khalziku skin, that I may drink water out of it.'" When Ereshkigal heard this, she struck her side, bit her finger, "Thou hast expressed a wish that can not be granted. Go, Asu-shu-namir, I curse thee with a great curse, The sweepings of the gutters of the city be thy food, The drains of the city be thy drink, The shadow of the wall be thy abode, The thresholds be thy dwelling-place; Drunkard and sot strike thy cheek!" Ereshkigal opened her mouth and spoke, To Namtar, her messenger, she addressed herself: "Go, Namtar, knock at the strong palace, Strike the threshold of precious stones, Bring out the Anunnaki, seat them on golden thrones. Sprinkle Ishtar with the waters of life and take her out of my presence." Namtar went, knocked at the strong palace, Tapped on the threshold of precious stones. He brought out the Anunnaki and placed them on golden thrones, He sprinkled Ishtar with the waters of life and took hold of her. Through the first gate he led her out and returned to her her loin-cloth. Through the second gate he led her out and returned to her the spangles of her hands and feet. Through the third gate he led her out and returned to her the girdle of her body, studded with birth-stones. Through the fourth gate he led her out and returned to her the ornaments of her breast. Through the fifth gate he led her out and returned to her her necklace. Through the sixth gate he led her out and returned her earrings. Through the seventh gate he led her out and returned to her the large crown for her head. [The following lines are in the form of an address — apparently to some one who has sought release for a dear one from the portals of the lower world:] "If she (Ishtar) will not grant thee her release, To Tammuz, the lover of her youth, Pour out pure waters, pour out fine oil; With a festival garment deck him that he may play on the flute of lapis lazuli, That the votaries may cheer his liver [his spirit]." Belili [sister of Tammuz] had gathered the treasure, With precious stones filled her bosom. When Belili heard the lament of her brother, she dropped her treasure, She scattered the precious stones before her, "Oh, my only brother, do not let me perish! On the day when Tammuz plays for me on the flute of lapis lazuli, playing it for me with the porphyry ring. Together with him, play ye for me, ye weepers and lamenting women! That the dead may rise up and inhale the incense."

notes

The Descent of Ishtar to the Underworld is the principal Akkadian version of a myth also known in Sumerian (as the Descent of Inanna). The text survives on tablets from the library of the Assyrian king Ashurbanipal at Nineveh (7th century BCE), though the composition is much older. The myth was first discovered by Austen Henry Layard during excavations at Nineveh in the 1840s–1850s, and first published and translated by George Smith of the British Museum in 1876. The poem describes the goddess Ishtar — goddess of love, sex, and war — descending voluntarily into the Underworld (Kur, ruled by her sister Ereshkigal). At each of the seven gates she is stripped of a garment or ornament: crown, earrings, necklace, breast ornaments, girdle, ankle spangles, and finally her loin-cloth. Arriving naked before Ereshkigal, she is killed and her corpse hung from a hook. Her absence from the upper world causes all reproduction to cease — no cattle mate, no humans couple. The gods petition Ea (god of wisdom), who creates Asu-shu-namir (meaning "whose face shines"), an androgynous or eunuch figure, and sends him to trick Ereshkigal into releasing Ishtar. Ereshkigal curses Asu-shu-namir but is compelled by divine decree to release Ishtar, who is sprinkled with the waters of life and ascends through the seven gates reclaiming her garments. The closing lines mention Tammuz (Sumerian: Dumuzi), Ishtar's lover, suggesting that Ishtar's descent may be connected to a dying-and-rising god tradition, though the text is fragmentary at this point. Whether Tammuz is released alongside Ishtar or must descend in her place for half the year (a seasonal allegory) is not clear from the surviving text — these lines may be a separate liturgical coda. The text is preserved on two tablets, designated the obverse (the descent, lines 1–73) and reverse (the ascent, lines 74–138). A gap exists between Ereshkigal's response to hearing of Ishtar's arrival ("Hostility of the great powers...") and her instructions to the gatekeeper — the tablet is damaged at this point, and what Ereshkigal says in full cannot be recovered. The Seven Gates structure — stripping the goddess as she descends, restoring her as she ascends — appears to be original to this myth and has no close parallel in earlier Sumerian texts. It is widely read as a symbolic representation of death and return, of spiritual descent, and of the cycles of fertility and barrenness. Translation by Morris Jastrow Jr. (1915). Public domain.

currently held: British Museum, London; Vorderasiatisches Museum, Berlin

UnderworldDumuzi / TammuzInanna / IshtarDeath and RebirthFertility

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